WARDEN takes a bold and thought-provoking approach to the superhero genre, re-imagining the rise of the world’s first real-life superhero through the eyes of those whose lives are changed forever. Unlike traditional superhero films, WARDEN isn’t about flashy battles or clear-cut heroes and villains—it’s a raw, unfiltered look at how society reacts when the impossible becomes real.
The story follows a young man in a crumbling city who discovers he has superpowers and chooses to use them for good—at least, as he sees it. But his presence doesn’t just inspire hope. As the world struggles to make sense of his existence, some worship him, some try to control him, others fear him, and a few will stop at nothing to expose him. Presented in a faux-documentary format, the film immerses viewers in a socially reflective, almost journalistic exploration of heroism, power, and the ripple effects of a vigilante acting outside the system.
WARDEN was developed by Lucasfilm veteran Steve Tzirlin and Jeff Juhasz (Amazon’s SECRET LEVEL, 2025), with a cast featuring: Giovanni de Lorenzi, Alli Willow, Antonio Saboia, Kukassa Kabengele, Brian Townes, James Turpin, and Nathalia Florentino. Shot on a shoestring budget, the film embraces indie-style ingenuity, prioritizing gripping storytelling and a unique cinematic perspective over blockbuster spectacle.
Official WARDEN trailer HERE.
Tell us more about WARDEN and what inspired it?
I wanted to tell a superhero story that strips away the spectacle and asks, What if this really happened? Instead of the typical action-packed blockbuster, it’s a docu-style film that explores how society reacts to the emergence of a real-life hero—some idolize him, others fear him, and some see him as a threat to the system.
The inspiration came from observing the current state of our society, particularly in a post-social media world where everything is polarized. Every action, no matter if well-intentioned or not, is met with both extreme support and harsh criticism. In an age where narratives are shaped by algorithms and public perception can shift in an instant, WARDEN explores how a lone vigilante might not just fight crime, but also navigate the complex reality of our society’s current system.
What’s one essential element you believe every compelling story must have? Why is it so important?
I believe it is having memorable characters with clear, resonant themes. A great plot can entertain, but I think it’s the characters who make a story unforgettable. Audiences connect with people, not just events—flawed, driven, and complex characters who reflect real human emotions and struggles.
Equally important is a strong thematic core. When compelling characters are tied to a clear, meaningful theme, I believe the story lingers long after the final scene.
What’s one effective method you’ve used to build a platform or audience for your directing? What’s your top recommendation?
One of the most effective ways I’ve built an audience is by embracing the power of short films. My short The Flying Man gained a following because it tapped into a unique idea that got people talking. That buzz is what helped me move into feature development.
My top recommendation: Keep creating and producing, whether it’s a short film, a compelling proof of concept, or even behind-the-scenes insights into your creative process—find a way to engage people emotionally so they want to share your work.
What is one piece of advice you would give to aspiring filmmakers?
The biggest difference between those who make it and those who don’t is persistence. Keep creating, keep learning, keep putting your work out there, and don’t be afraid to fail as each project is a stepping stone to the next.
Are you working on any other exciting new projects? What is next for you?
I’m fortunate to be working on projects across different parts of the world. While I continue directing ad campaigns internationally, I’m also at a major turning point developing the feature adaptation of my short film, The Flying Man, which explores the idea of a superhero story told as a horror film.
In Brazil, I’m directing and we’re currently gearing up for pre-production on an exciting feature adaptation of a well-known comic book IP . It’s being produced by Fernando Meirelles (City of God, The Two Popes, Sugar), and we’re hopeful for a wide theatrical release.
What’s the biggest challenge you’ve faced when trying to secure funding for a film project? What advice would you give to aspiring directors facing similar obstacles?
I’d say that when securing financing depends on casting a well-known actor, the process can be incredibly frustrating—especially with the long waiting periods to hear back from actors who are, understandably, in high demand.
My advice to aspiring filmmakers is to keep your independent film’s budget as small as possible so you don’t have to rely on this system. The more you can finance independently or work within a leaner budget, the more creative control you’ll have—and the less you’ll be stuck in the endless cycle of waiting for approvals.
From your experience, what are a few ideas that we can use to effectively offer support to others who want to work in the entertainment industry?
The industry is tough to break into, so actively supporting emerging talent, promoting diverse voices, and amplifying fresh perspectives can make a real difference.
How do you balance developing your own unique writing style with adhering to genre conventions? What’s your approach?
I see genre conventions as a framework, not a rule book. Understanding them is crucial, but the magic happens when you twist or subvert expectations in a fresh way.
For example, The Flying Man, a popular short film I created, blends the superhero genre with horror simply by shifting the narrative perspective. Instead of following the hero, I told the story from the criminal’s point of view, making the superhero feel terrifying. That small change completely reframed the concept, giving it a unique and unsettling edge.
How can our readers follow you online?
You can find my footprint on Instagram @malqueres, X @marcusalqueres, and YouTube/Vimeo under Marcus Alqueres.
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